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Quality of Life

The Project:

One Mustang directly off the range, One trainer, No tools, Just body language

The Goal:

To discover how far Equestrian Art can be developed solely using body language.

Quality of Life

 

Life with horses for me is all about enjoyment. I am not going to the Olympics, nor am I facing life-or-death situations. I ride simply because I love each moment of the experience. Quality of life is what it is all about for me.

Myrnah, I am finding, also has a great deal to say about her quality of life. What she likes and what she dislikes she seemingly tells me without hesitation. Given her freedom to walk away from me any time she may choose, I have no choice but to listen and make sure she enjoys working with me as much as I enjoy working with her. Quality of life must remain high for both of us in order for this relationship to continue functioning. I like that.

This last weekend I attended a workshop all about liberty work with horses. It was taught by a woman who believes in letting go of the stick and ropes and simply using body language to communicate with the horse. I was excited to learn from someone who seemed to have similar ideas to my current mustang project, and though I brought a horse more traditionally trained, I hoped she would be able to shed new light and inspiration onto the work Myrnah and I do together.

Much to my disappointment, over this weekend the walls of the round pen became the tools with which to dominate. The teachings all rested on the concept of being able to push the horse away (using only body language) and ask it to keep running until it was called back to you. While I attempted to remain humble and open minded to ideas different from my own, in the end I feel I utterly failed in this situation.

I walked through the steps of the liberty process to the best of my ability, I let the teacher work me like a marionette: Go, stop, click, pressure, stop, get behind the horse, find the diagonal line, don’t block with your shoulder. I tried to make it work for me because learning comes when you step outside what you think you already know. With every step I watched the outcomes and felt for the connection between my horse and me. I tried to ignore the sinking feelings as I felt my quality of life degrade; I tried to trust the teacher and put aside my judgments; I tried to give her the chance to show me the light at the end of the tunnel. I wanted to learn something new and beautiful that might in the long run raise my quality of life with horses and their quality of life with me.

The two-year-old Gypsin Gelding who had accompanied me to the clinic had stepped out of the trailer with a feel of joy and connection, and perhaps a little apprehension about the new spaces, however by our third session in the round pen, it broke my heart to feel I was no longer sure if he would come to me at all when I called. After being pushed against the rails of the round pen repeatedly and constantly- told he had not yet gone forward fast enough, or clean enough or long enough, our partnership felt disconnected, unfocused, and frustrated.

The very best feeling I got with my horse all weekend was ironically the part where I did everything wrong. Halfway through a very frustrating second session when I went to put pressure on him, instead of running off like he was supposed to he turned to face me and reared up. I chose that moment to trip over my own toes, fell headlong underneath him, and had to tuck and roll in order to narrowly miss his substantial hooves as they headed back to earth. He was surprised and startled and did his best to avoid me as I avoided him. I rolled to my feet and asked him to move off again, and he did so with the beautiful connected brilliance that is common for us when we play at home. I wanted to cry with relief as he pranced around me, and in those next few moments I wish I had called him in to reward and nurture that bond our moment of excitement had given us. Instead we continued the prescribed program, and the momentary brilliance was once again replaced with dull resistance from both of us as we tried to get the actions correct and follow instructions.

Now I have no doubt of the brilliant artistry of the teacher, and I have no doubt she can train liberty horses better than almost anyone. She may even have a joy and a lightness to her training that I was unable to find following her teaching. What I do know is: if I had to follow the courses of action I learned this weekend to train my horses, I would give it all up. I would sell my horses and do something different with my life. My present quality of life is too dear to me to trade for some eventual future outcome.

I ride and train horses because it brings joy to my life every day. I choose to ride and train in ways that feel good to both my horse and me more of the moments we share than not. I choose to train in a way that increases our quality of life perpetually.

There will be ups and downs, moments that feel better or worse as we push out into new territory to grow and develop. Overall, though, quality of life must remain high because that is why I ride and train. It isn’t about some future result; it is about the past and the present and the future all intertwined in what is my life, shared with those I love.

I aim to value the past, the present, and the future equally because all play a part in creating the life I want to live. If I can keep the quality of life high in the present, soon enough it will become the past, and the future will always be something pulling us forward into becoming the best of ourselves.

Thank-you, Myrnah, for reminding me every day that the quality of life right here in the present is just as important as anything we might be striving for in the future.

Elsa Sinclair

EquineClarity.com

“The Great Affair is to Move”

The Project:

One Mustang directly off the range, One trainer, No tools, Just body language

The Goal:

To discover how far Equestrian Art can be developed solely using body language.

 

“The Great Affair is to Move”

Robert Louis Stevenson said, “For my part, I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move”

This week for Myrnah and me has been about just that. The love affair between us is what makes it possible for us to work and grow and learn together without any bonds of force. The ever analytical part of me wants to know how and why that works. Everyone else I know needs a halter and a rope and a round pen to build that bond between horse and rider… why is it that Myrnah and I get to skip those forceful steps and jump right into the voluntary love affair?

I believe the answer lies in movement and how we choose to use it. Our movement through space is the greatest love affair there is. If you have ever watched a talented dancer entrance a crowd with the twitch of a finger, or a brilliant comedian cause the audience to burst into uproarious laughter with the well-timed raise of an eyebrow… you know what I mean.

Everything means something, nothing means nothing… learning to place value in every movement, and reverence in traveling through space is an art and the best part about art is you can’t do it wrong. The trick is to enjoy it completely as you figure out the cause and affect your movement creates and learn from the ripples of change around you.

Because I have no tools to hold Myrnah close to me, my job from day one was to make movements that would cause curiosity, interest, joy, peace, and connection between us. I courted her with movement and strove to build a love between us.

Movement is what bonds Myrnah and I together. The more we move together, the stronger our connection. And so the quote seems quite fitting. “The great affair is to move”

I read a quote from a Natural Horsemanship trainer today that made me sad for a moment. “Remember the rules of Horsemanship: Whoever moves first, loses.” Perhaps it is true, but I wish to challenge the customary understanding of this statement. Is this relationship with my horse one where I want her to lose? I don’t know about you, but my answer is a definite no. I want my horse to feel like she has won every moment of every day with me. I want my horse to feel like she is in the best love affair ever and has won the lottery to be my partner. To achieve this I will, in the beginning, voluntarily assume the so-called losing position. I will move through space using advance and retreat and timing a balance of action and inaction to woo my horse into becoming my partner. Once those beginning phases of the relationship are formed then the real fun begins. Moving together is when the whole of our partnership starts becoming so much more than the sum of it’s parts. There is an energy and a lightness of being that can’t be bought or sold, it can only be earned through the devotion of movement.

During the snow this last week, Myrnah and I climbed a hill together with my daughter who took pictures for all to see. The next day we walked out through the woods in a different direction for almost two hours with my brother who videoed the journey for us. I question… would I be able to walk through the woods for two hours with any of my other horses? I have good liberty skills with many of them, but two hours out in the woods is a long time to stay connected and focused. No carrots, or sticks, or ropes. I don’t actually know the answer to that question, yet with Myrnah there was very little doubt.  

I attribute that confidence and that bond between Myrnah and me to our practice of movement together. The hours we have spent traveling in silence side by side, matched step for step, is the glue that binds us together. It isn’t my ability to make her turn, or stop, or go, it isn’t the things I have taught her, or the things she has taught me, it is simply the in between times. It is the times when we move through space with no change or directing necessary. Our ability to communicate left, right, stop or go is vital to our comfort with each other, however it’s our ability to simply move, in quiet harmony without communication, that connects us together like nothing else can.

Placing value in movement together is what allows this experimental training process to succeed.

So what of the riding part of the equation? Myrnah and I are in the courting stage of our relationship when it comes to riding. I do the movement, and she still is deciding if she wants to partner with me. Advance and retreat, a timed balance of action and inaction- the game is marvelous fun for me; and, while Myrnah still seems a little puzzled and unsure about it, I have no doubt that one of these days she will fall in love with the idea of carrying me higher and faster than my own feet can carry me. Our traveling through space together continually evolves and is an endless love affair of movement.

So I put this out to all of you. Value your movements, and observe the ripples they create through time and space around you. If you are looking for a partner and you want that brilliant feeling of connection, find a way to move together, step for step, breath for breath- more time spent existing in movement, less time talking, debating, and communicating about exactly what or how or when. Take the time to just be- in movement together.

Communication brings comfort and trust to the relationship- that is a necessary piece; however the inexplicably beautiful bond and connection between you comes from the time spent when communication isn’t necessary, moving in harmony together. It’s that simple.

“The great affair is to move.” Life is your canvas and movement your paint brush. Paint a landscape your horse can’t resist and revel in the great affair.

Elsa Sinclair

EquineClarity.com

Five things I can count on

The Project:

One Mustang directly off the range, One trainer, No tools, Just body language The Goal:

To discover how far Equestrian Art can be developed solely using body language.

Five things I can count on

It snowed this week, beautiful white mounds of fluffy snow adorning every surface around my house- the landscape brilliantly beautiful, and yet for me, not as much fun as one might think. Unfortunately emotions and logic don’t always dance in the sane and controllable fashion we would like them to. I can logically appreciate the beauty, yet at the same time find my emotions beating me to a pulp underneath all that beautiful sane logic. Snow and cold send me into panic attacks of vertigo and nausea, blinding anxiety, and difficulty breathing. I am however far too stubborn to let that stop me, so for the most part everything proceeds normally. I have found there are five things I can count on to help. No matter how good, or how bad I feel, these five things will always improve the situation.

Thank-you Sally Swift for creating the five basics of Centered Riding. Thank-you Stephanie Mosely for introducing me to the existence of Centered Riding; and thank-you to all the brilliant Centered Riding instructors who have helped me understand those five basics in deeper and more profound ways.

I have been exposed to, and devoted to many different models of horse training. Each model and idea has created a facet of who I am and how I train today. I would have to say though, Centered Riding remains at the core of everything I do. The principles reach far beyond riding a horse. They apply to every action in life, and within these five simple ideas lies a power to improve any moment.

  1. Grounding – The feeling of having your feet rooted down through the Earth. Sally Swift added this to her original four basics when she wrote her second book. No matter which training idea I am currently working with, taking a moment to wiggle my toes in my boots and feel my feet become grounded always lends a solid and reliable feel to whatever I am doing.
  2. Centering – The feeling of your weight down low in the core of your body, the idea of chi or qi that martial arts talks of, all action originating from the center of your body. This idea always gives me a sense of connection with my horse and that legendary “feel” between horse and rider that instructors are always saying is so essential and so hard to teach.
  3. Breathing – Deeply, using the diaphragm and letting the air fill every part of your body like a professional singer would. This is perhaps the most challenging for me, yet I know how important it is. Horses are herd creatures and are constantly assessing the well-being of those around them. My ability to breath allows me to work at my best and signals my horse that I am feeling ok- there is nothing to worry about in our herd. Constantly I remind myself and my students, when your horse does something you like, just take one deep breath before you do anything else. That deep breath and the resulting positive feeling it brings to you and your horse is the simplest and best reward you can give.
  4. Soft eyes – Using a soft balance of focus and peripheral vision. In an ideal scenario we are using our muscles in a state of release contracting muscles or extender muscles used to the degree we need them. When we use both the contractors and the extenders at the same time an unnecessary tension and stress is present. We tend to create a great deal of stress in the small muscles around our eyes… the relaxation of those muscles allows us to use our peripheral vision as well as our focus.
  5. Building Blocks – The feeling of each part of the skeleton stacked in balance on top of the piece below- using only the essential muscular effort needed to stand, sit or move, nothing extra.

All these five principles can be evolved and developed, pondered and meditated on, however they work best for me in their simplicity. They are just five words to remember, each with a profound impact on positivity in any given moment.

Grounding

Centering

Breathing

Soft Eyes

Building Blocks

So when Myrnah and I are walking through the woods in the snow, my mind tells me this should be a marvelous novelty of fun, while unfortunately, my emotions batter my skull, blur my vision, lay lead weight on my lungs and make me want to cry or throw up. I reach for those five words, because I know they are five things I can count on no matter what to make everything better.

Grounding, I can feel my toes wiggle in my socks, I can feel the snow crunch underfoot, I can feel my weight roll from heel to toe, step by step in harmony with Myrnah. I can imagine that she feels grounded too as we walk together. Centering- Every movement of mine originating from the core of my body, every movement of Myrnah’s felt and followed from my core. Breathing- It’s not easy for me out in the cold and the snow, but if I think about it I can feel Myrnah breath, and I can match her rhythm, let her breath through me, an underlying rhythm to every movement we make together. Soft eyes can feel impossible when for me the world is spinning and everything looks blurry from vertigo, so this is where having practiced on a good day is invaluable. I remember what it feels like to release the muscles around my eyes, I remember what it feels like inside my eyes when I soften them and allow all my peripheral vision to become part of what I see. As I do these things it helps the world become still and more clear. It helps the stress dissolve and the beauty of the day become apparent again. Building Blocks- a nod of the head up yes and then no, smaller and smaller until the center resting point is found, a shrug and circle of the shoulders around until they too find the central balance, the ribs, the hips the knees and the ankles, all have their central resting point, in fluid balance with all the other parts.

Each one of these five ideas has benefit without need for perfection. Simply walking through them with whatever awareness I have on any give day has a power I would not want to live without.

We all have our highs and our lows, as do our horses. We hope that when one of us is low, the other in the partnership can step in and support, building the bond of connection stronger and deeper.

It often feels perhaps I should not train when I am low or stressed. I become afraid of spreading the horror of what I feel like a menacing rain cloud darkening everyone’s day. If I can allow myself simply to be as imperfect as I am and just show up anyway, I find very often my horses seem to enjoy stepping up to the plate to take care of me for a change. We can walk through the simplest of our movements together, my job being to remember my five basics and attend to them with whatever skill I have that day. I can let my horse take care of the rest of the details.

The five things I can count on will always be there for me. High or low, rain, snow, sun or wind. Life isn’t always easy, but with a partner like Myrnah traveling alongside me, it is pretty wonderful regardless.

Elsa Sinclair

EquineClarity.com

Waiting for the Emotional Change

The Project:

One Mustang directly off the range

One trainer

No tools

Just body language

The Goal:

To discover how far Equestrian Art can be developed solely using body language.

Waiting for the Emotional Change

Every one of us- Horses, People, and every other sentient being out there- wants just one thing. We all want to feel better than we did a moment before. Some of us build up varied amounts of discipline for delayed gratification, trading in our current better feeling on the promise of something far greater waiting ahead. Some of us have less forethought and just grab whatever better feeling we can find regardless of the cost. Most of us know it is in our best interest to hold out for feeling the best we possibly can, even if we have to wait for it, but how do we develop the discipline it takes? Waiting for the Emotional Change is one of the best ways I know to go about it.

Myrnah and I have been working on a current sticking place in the project together. She just isn’t fully comfortable with my sitting on her (unless she is too busy eating to notice); I want her full and absolute approval before we start to ride together.

Myrnah’s needs are simple- she just wants to feel better. I know how much fun riding is going to be for us; she doesn’t know that yet. So how do I build up her discipline to a point that allows her to get through the insecurity of something new and into finding more fun with me as a result?

The answer is: break it down just like any other task, and develop it one step at a time. I believe the strongest support for developing a new skill is waiting for the emotion to change for the better, and then rewarding that emotional change with quiet companionship.

In the beginning I taught Myrnah to pay attention to me. Full attention on her was pressure; then, when she gave me her full attention, I would look away, take a deep breath, and relax as reward. This was good- a game of advance and retreat to develop our relationship. However, I didn’t quit there at the simple accurate physical response. The discipline of the action really began to develop when Myrnah could reward herself. That reward was the emotional change.

In people we can see an emotional change for the better in a smile, or a deep relaxing breath, in the shoulders settling, or a yawn and a stretch. In horses the changes are there to be observed as well- the ears coming forward, the muscles relaxing, the jaw loosening to lick and chew or yawn, sometimes a soft nuzzle to a friend.

Associations are strong. If we can stay in a new and possibly uncomfortable pattern long enough for the emotions to relax, changing for the better, all of a sudden we begin to associate the new pattern with feeling better.

Sometimes emotions change for the worse- anger, fear, or shutdown- and that is when we must retreat. We don’t want to reward the behavior that can come from negative emotion, (so we may play a continual game of advance and retreat until the physical behavior changes) yet we must remember pushing (with no retreat) through negative actions can often have negative side affects that will have to be addressed later. So we advance and retreat, working in and out of patterns that the horse can sustain long enough to find the positive emotional change.

We are looking for the sense of flow where challenge and skill are both within range, the challenge at hand pushing the skill to evolve. If the challenge at hand is too difficult for the available skill, the horse will try to evade and get away seek a better feeling. The only way to build the discipline that consistently bridges the gap between challenge and skill is to wait for and reward the positive emotional changes.

If we can teach the horse to reach for a good feeling, relaxing and letting go of tension even in a new or uncomfortable exercise, then we have a horse who is building the discipline to learn. If we can push them just far enough out of their comfort zone that they develop, but not so far that they want to evade, that is good. Better, however, is staying there long enough, waiting for the emotional change that rewards the horse internally.

When the horse can feel an internal reward for something he thought was going to be difficult, uncomfortable, and not at all better, then he begins to build faith in the developmental process.

Our job as friends and trainers to our horses is to help them wait for the emotional changes that make them feel better. Our job is to challenge them just enough to cause life to be interesting and full of development, perceiving and breaking down the tasks that cause them to evade, escape or fight back. Allowing them to learn a piece at a time, while we wait for the emotional changes that will reward the horse from the core of who they are.

Pressure motivates; Release teaches. What I most want to teach my horses is how to feel better, even when they are challenged. So, when they are challenged (feeling pressure), and I see them take a deep breath, relax, and enjoy it, I know all the practice we put in waiting for the emotional change has been well worth it.

Here is to feeling better, each and every moment, regardless of the challenges we may face.

Elsa Sinclair

EquineClarity.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(Thank you John Sinclair for the beautiful photographs in this weeks blog.)

Shut down or overwhelmed?

The Project:

One Mustang directly off the range

One trainer

No tools

Just body language

The Goal:

To discover how far Equestrian Art can be developed solely using body language.

 

 

 

 

 

 

Shut down or overwhelmed? 

When any of us are shut down or overwhelmed, the space between can seem as narrow as a tightrope and balancing in that calm seems beyond any realm of possibility.

So I want to talk about this side and the other side of the space between.

It’s not wrong to shut down, and it’s not wrong to get overwhelmed and propelled into action; it just doesn’t feel as good as the space between.

The best way I know to find that space between is to have a friend. Yes one can be friends with one’s self, but it is awfully nice to have a friend next to you to help you find your center. On a good day we are friends to our horses, helping them find their center. On a less than good day…. a shove is as good a boost?

People love community, and horses love their herd. The friends around us keep us interested, and push us to grow and develop our emotional fitness as the natural chaos of community can often be overwhelming.

As anyone who has ever been married can tell you, the closer your friends, the more overwhelming they can be; and you wonder why they would choose to hurt you instead of help you? A shove is as good as a boost perhaps?

A brilliant riding instructor once told me abuse only comes when we don’t know what else to do. It is the same for both horses and people. Horses kick and bite when they don’t know what else to do, when they feel alone with no friends and know no way to feel better. When they can’t find the space between, the only choices they can see are to take action- to drive away or flee from anything overwhelming. Fight or flight. Or, if neither fight nor flight seem viable, shut down is all that is left.

So what do we do when the space between cannot be found? What do we do when our horse is angry, or scared, or shut down?

All we can do at that point is be their friend, showing them that we are indeed a friend over and over and again until they believe us.

How, you ask? Approach and retreat is the best way I know. There are many ways to use approach and retreat; however, the basis is always the same- get closer and pull away, only to get closer again, and then pull away again. Getting closer lets the horse know they are not alone and you are their friend; pulling away lets them know you understand they feel overwhelmed and you don’t intend to make it worse. ( This is another way to understand balancing the drive and the draw.)

Even if a horse is shut down or disinterested, the same principles apply. Sometimes just the simplicity of being near them, aware of breathing in and out, is an advance and retreat of intense subtlety. Each breath brings you ever so slightly closer and then farther from them. Closer letting them know they are important to you; farther letting them know you understand they feel overwhelmed.

So when do we use advance and retreat in a big way, and when do we use it in a small way? Usually the rule of thumb is: when the horse feels dominant (anger or bored disinterest) we need to be a playful and provocative friend with big movements in and out of their space. When the horse is feeling lack of confidence (fear or shut down), we need to get quieter, smaller, and gently understanding in our advance and retreat.

What next?

As soon as you see the horse get a glimpse of what feeling good is like, as soon as the horse knows what the space between feels like for a moment, the most important thing in the world is to be still together. Let the horse enjoy what felt so incomprehensible moments ago- the ears forward, the deep breaths, yawns and signs of comfort are the greatest gift you can give a horse. If your horse can associate you with helping him feel better when he doesn’t know how, that bonds you together like nothing else.

We get to be both the cause of overwhelmed or shut down, and the solution. The closer we stay to the space between, the more functional is our relationship with our horse. There is a sense of flow in relationship as there is in anything else. Csikszentmihalyi’s chart is applicable here as well.

Today, working in the pouring rain with Myrnah, I found myself wondering, Why do I ask her to do these silly things that make her uncomfortable? Why do I get on and off her back repeatedly even when I can see her lack of confidence in the shake of her head and the tension in her neck? Why do I ask her to step up on a box when she never has before and doesn’t really need to? Why is that conversation important?

The tasks themselves are not important; however the tasks create pressure. Pressure causes growth, and, when the pressure is too much for Myrnah, I get to play advance and retreat until she finds her center again. I get to show her I am her friend and I will help her feel good again, no matter how much pressure she feels.

Today, beneath the drenching clouds and standing in the puddles, I didn’t really think Myrnah would step up on that silly platform. No halter, no rope, no stick, no treats… Nonetheless, the conversation was fascinating. Sometimes we worked in the sweet spot of flow, and she was interested in me and the box; sometimes I pushed too hard, and she marched off angry and alone. I would follow, playing advance and retreat until she felt like I was a friend again. Then we would re-approach and converse about the silly platform. When finally she did step up, calm as could be, I couldn’t wipe the grin from my face. She wasn’t forced into that action, she had plenty of exits, yet she chose it because I asked, and the look on her face was neither shut down nor overwhelmed. She was firmly in the space between. Happy to be quiet and still with me, enjoying life completely.

Happy New Year,

May you always find the space between.

Elsa Sinclair

EquineClarity.com